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I don’t know if I’m ranting here, but man, I just love what Kendrick has been doing this past years after GKMC. Yet, at the same, it’s the least preachy that it could ever be. There’s a mantra that is included throughout various tracks on this album that isn’t included in the final cut of To Pimp a Butterfly that I just love: “PIMP PIMP! HOORAY!” It establishes a bliss and camaraderie that he’s bringing with his message: the unity of an entire community to be happy while fighting for liberty and liberation as well. I think it really finishes the picture for us that Kendrick merely compromised and made a conventionally great album with Good Kid, and with his notoriety from that album he had room to experiment and made sure that his experimentation was heard and better respected.
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City, and they show just how experimental with lyrical content, style sound Kendrick was. The songs were written between To Pimp A Butterfly and Good Kid, M.A.A.D.
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All of the songs and the album are untitled, and in the context of Kendrick’s career, this is a significant release for him because it establishes a sort of behind-the-scenes of To Pimp A Butterfly, and it does so very uniquely. Here we have a collection of what looks like outtakes and song ideas as well as complete songs from the To Pimp A Butterfly sessions. Review Summary: Just proof that To Pimp A Butterfly was a masterpiece.